Hopi Katzinas, 1925
color woodblock print, 38/120, First Printing
12.25 x 13.25 inches
signed in pencil and titled with artist's hand in heart ink stamp
Retail Price $19,500
Holiday Sale $18,500
From his first years in New Mexico, Baumann was interested in traditional Pueblo and Hopi dolls and figurines, whose craftsmanship and childish delight combined with deep cultural significance in ways the artist found enchanting. He collected them avidly and became knowledgeable about their forms, decorations, and meanings. Among those he collected were the popular Kachina dolls, the representations of deified ancestral spirits (also called Kachinas) the Hopis believe periodically visit and effect our world. In Hopi rituals conceived to summon these spirits encourage their intercession - particularly for beneficial weather and bountiful hunts and harvest - dancers impersonate the Kachinas with vivid symbolic costumes and by performing specific dance steps. Traditionally during these ceremonies Kachina dolls are presented to the children. Carved from cottonwood roots to the children. Carved from cottonwood roots or branches, the dolls are gaily painted and decorated with buckskin, horsehair, and feathers.
The first woodcut representing Baumann's budding doll collection was Strangers from Hopi Land created around 1920. Judging from the number of times he submitted it for exhibition, he was proud of this print. A more ambitious piece, Hopi Katzina suggests how extensive the artist's collection of dolls had become by about 1925, and how the artist delighted in their every detail. The composition is simple and uncluttered, so as not to detract from the dolls' splendid ornamentation. The technical complexity of this print is outstanding, with its myriad colors and intricate designs. This woodcut precisely reproduces the artist's oil painting, now at the Museum of New Mexico, which is titled on the canvas "Pasatiempo." Like the artists of Santa Fe who organized and celebrated the annual Pasatiempo fiesta, Baumann's Kachinas assemble for their own festival, circling around to watch the performance of a troupe of acrobats. The gather dolls seem to come alive, interacting with each other, taking on human characteristics, and appearing to express their delight in the performance. A childlike tendency to humanize these playthings is common in Baumann's prints of dolls and toys and reflects something of the artist's character.
Source: Guatave Baumann Nearer to Art
